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![]() ![]() Today we are discussing chapters 80 and 81 of Carry On, in which: The Mage casts a Morrissey song and everything just. Tagged: Carry On, simon snow, rainbow rowell, carry on podcast, simon snow podcast, esGAYpe From Reality, rainbow rowell podcast Show art by Theo Julien Forrester and Lark Malakai Grey □ Our sticker of the month is, of course, Halloween themed! Join our sticker club by the 31st to get one! □ Make a donation of any amount by the end of the month and Jessie will send you a handmade card with a spooky animal fact inside! ![]() □ We will be on instagram live for a Mad Tea Party on October 29th! Join us for spooky madlibs and tea! □ Don’t forget to snag your tix to our liveshow before they sell out! Here’s the link to the Great Vowel Shift video Lark talked about Today we are discussing chapters 82 and 83 of Carry On by Rainbow Rowell, including: the question of whether Simon was the Chosen One a serious inquiry into how one uses Bohemian Rhapsody to steal magic the blessing of Agatha’s comic relief and so much more! ![]() Tagged: carry on podcast, simon snow podcast, esGAYpe From Reality, rainbow rowell podcast Support us on Patreon to access early, extended release episodes, listen to our Buffy podcast We Are The Gayers, and so much more!įind out everything you want to know, and buy our merch at Like this podcast? Check out our Harry Potter podcast, The Gayly Prophet! Today we are discussing chapters 85, 86, and the first part of the epilogue of Carry On by Rainbow Rowell, including: Jessie packing a whole world of insults into the way she says “Davy ” Penny finally clocking that SnowBaz is a thing Lucy breaking all of our hearts Our appreciation for a book that doesn’t end in war and so much more! ![]() ![]() ![]()
![]() Go fullscreen, walk around, add labels and export flyover animations. Section Planes slice through models for creating sectional views. Styles provide endless visual effects to make your work look precise, sketchy or anything in between. Scenes let you save views of your model to pull up anytime. ![]() SketchUp Pro also exports all of those formats, plus PDF, OBJ, FBX, XSI, VRML, MP4, WEBM and AVI. Ready for some alphabet soup? With importers for DXF, DWG, 3DS, DAE, KMZ, TIF, JPG, PNG and a few more, you can bring in drawings, models and images to your heartâ?™s content. We built SketchUp Pro to slide right into your existing workflow. And just in case, every SketchUp Pro license includes a year of free technical support. With handy contextual tips, a dedicated Instructor panel for beginners, and mountains of online resources, help is always on the way. Thereâ?™s a reason SketchUp is synonymous with friendly and forgiving 3D modeling software: we donâ?™t sacrifice usability for the sake of functionality. When itâ?™s time, export PDFs, images and CAD files. Changes to your model are reflected automatically in LayOut. LayOut in SketchUp Pro lets you add model views to pages, choose drawing scales, adjust line weights and add dimensions, callouts and graphics. Turn your models into drawings with LayOutĪt some point in every project, you need to produce a set of drawings that shows your model: plans, sections, elevations, perspectives. SketchUp Pro is as simple and as powerful as you want it to be. Build models with custom behaviors and attributes. More advanced? Start modeling from CAD and terrain data, photographs or even hand sketches. Stretch, copy, rotate and paint to make anything you like. Push and pull surfaces to turn them into 3D forms. 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In the import & Link group, you can see the different kind of options available for data import in Access. To understand what kind of data you can import in the Access data, let us open your database and go to the External Data tab. To save Access as a spreadsheet file, you will need to use the import feature on the External Data tab.ĭifferent Types of Data Access Can Import In Access you can’t use the Save As command in the same way, you can save Access objects as other Access objects, but you cannot save an Access database as a spreadsheet file. The Save As command is generally used to save a document in another format, so that you can open it in another program. If you have data in a spreadsheet, a SharePoint list, or some other format, you can import it into an Access database with just a few steps, making it much more, easily available in Access. Normally data is stored in various formats, files, and locations, which makes it hard to get and use it. Indicates a null-terminated Unicode character string (DBTYPE_WSTR).In this chapter, we will be talking about importing data in Access and what kinds of data you can import using Access. Indicates a null-terminated Unicode character string. Indicates a numeric value ( Parameter object only). Indicates an Automation Variant (DBTYPE_VARIANT). Indicates a binary value ( Parameter object only). Indicates a user-defined variable (DBTYPE_UDT). Indicates a one-byte unsigned integer (DBTYPE_UI1). Indicates a two-byte unsigned integer (DBTYPE_UI2). Indicates a four-byte unsigned integer (DBTYPE_UI4). Indicates an eight-byte unsigned integer (DBTYPE_UI8). Indicates a one-byte signed integer (DBTYPE_I1). Indicates a two-byte signed integer (DBTYPE_I2). Indicates a single-precision floating-point value (DBTYPE_R4). Indicates an Automation PROPVARIANT (DBTYPE_PROP_VARIANT). Indicates an exact numeric value with a fixed precision and scale (DBTYPE_NUMERIC). Indicates a long null-terminated Unicode string value. Indicates a pointer to an IUnknown interface on a COM object (DBTYPE_IUNKNOWN). Indicates a four-byte signed integer (DBTYPE_I4). NOTE: This data type is currently not supported by ADO. Indicates a pointer to an IDispatch interface on a COM object (DBTYPE_IDISPATCH). Indicates a globally unique identifier (GUID) (DBTYPE_GUID). Indicates a 64-bit value representing the number of 100-nanosecond intervals since Janu(DBTYPE_FILETIME). ![]() Indicates a 32-bit error code (DBTYPE_ERROR). Indicates a double-precision floating-point value (DBTYPE_R8). ![]() Indicates an exact numeric value with a fixed precision and scale (DBTYPE_DECIMAL). Indicates a date/time stamp (yyyymmddhhmmss plus a fraction in billionths) (DBTYPE_DBTIMESTAMP). Indicates a time value (hhmmss) (DBTYPE_DBTIME). Indicates a date value (yyyymmdd) (DBTYPE_DBDATE). A date is stored as a double, the whole part of which is the number of days since December 30, 1899, and the fractional part of which is the fraction of a day. It is stored in an eight-byte signed integer scaled by 10,000. Currency is a fixed-point number with four digits to the right of the decimal point. Indicates a four-byte chapter value that identifies rows in a child rowset (DBTYPE_HCHAPTER). Indicates a null-terminated character string (Unicode) (DBTYPE_BSTR). Indicates an eight-byte signed integer (DBTYPE_I8). For more information about OLE DB data types, see Chapter 13 and Appendix A of the OLE DB Programmer's Reference.Ī flag value, always combined with another data type constant, that indicates an array of that other data type. The corresponding OLE DB type indicator is shown in parentheses in the description column of the following table. Specifies the data type of a Field, Parameter, or Property. ![]() ![]() ![]() This leads to a fight between the two, and Alizeh decides to leave Ayan as he cannot understand that she can't fake her feelings for Ayan just to make him feel happy. Ayan tries to make Alizeh love him, to no avail. Ayan is heartbroken but they try to make the best of their time together. ![]() Alizeh meets him there and tells Ayan that she is diagnosed with stage four cancer and will not live much longer. Ayan, concerned, goes to Alizeh's favourite spot and waits for two days there, hoping that she'll arrive. Ali tells Ayan that even though Alizeh loved him, she wasn't able to get the love she thought she deserved. He meets Ali one day and realizes that Ali and Alizeh are no longer together. Their relationship ends and Ayan leaves.Īyan continues to harbour love for Alizeh and becomes a famous singer with his channel. She fears that she will get hurt realizing that she will never get the love she saw in Ayan's eyes for Alizeh. He goes to Saba, who hugs Ayan one last time and tells him that she really started loving him and that before it gets more intense, they should part their ways. They have a verbal fight and then he walks away. Before she leaves, Ayan confronts her that she has no feelings and is heartless. Ayan invites her for dinner with Saba to provoke Alizeh and make her feel jealous which Saba notices. He begins to send pictures of Saba to her to try and induce jealousy while Alizeh tells him about her happy life with Ali and assumes that he has moved on.Īfter a few days, Alizeh informs Ayan that she's coming to Vienna and wants to meet him. Alizeh feels really happy and tells him that she missed their friendship. Ayan, being who had blocked Alizeh from contacting him in all ways, finally calls and reconnects with her on being inspired by these words. Later, at an art gallery, he meets Saba's ex-husband, Tahir Taliyar Khan, who tells him that one-sided love is not a weakness but rather empowering as it isn't shared as one doesn't even need the presence of the person one is in love with to keep loving them regardless. He learns that Saba is divorced and has no place for love in her heart. He calls her after three months stating that he is in Vienna and wants to meet her. Ayan reads that poetry and is moved by it. ![]() She consoles Ayan and gives him a book with her poetry and number on it. At the airport to board a flight to Dubai, he meets Saba Taliyar Khan, a poet, who is leaving for Vienna. At the wedding, he tells Alizeh he loves her but she rejects his feelings causing Ayan to leave the ceremony heartbroken. Ayan is shaken on hearing this but reluctantly agrees to the invitation. Partially confused, but still in love with him, Alizeh decides to go with DJ Ali, and so unintentionally stops hanging out with Ayan and they cease communication.Ī few days later, Alizeh calls and invites Ayan to her wedding with DJ Ali Khan in Lucknow. One day, Alizeh stumbles upon DJ Ali, her ex-boyfriend/lover, who wants to reconcile. While Aayan falls in love with Alizeh but does not tell her while she considers him to be only a "friend". Later, when they discover their respective partners are cheating on them, they break up with their lovers: Ayan with Lisa D'Souza and Alizeh with "Dr." Faisal Khan and the two go to Paris to spend a week together. They get to know about each other and become friends. A few years ago, in London, a chance meeting in a disco between Ayan and Alizeh happens and they hook up with each other. He tells the story of his experience of love in a flashback. The film begins with the interview of Ayan Sanger, a singer who has newly acquired fame with his non-filmy songs. ![]() ![]() After the RAID 1 sync, it shutdown itself. Reading NAND page at offset 0x100000 failed Writing data at 0x83fe00 - 100% complete. Writing data at 0x3ffe00 - 100% complete. Also you can connect to your DHCP enabled network and access the unit (when the procedure completes).Īlso you can take a look at Nigels page here, if you want to tinker more and install a full Debian on the unit. Now you can either powercycle the unit, or just issue bootĪs I had totally clean drives in my unit the upgrade/wipe happened automatically, just wait 5-10 minutes. ![]() That will load the kernel and initrd into memory, and write them to the NAND of the ix2.
![]() It is the most straightforwad way to achive the spec requirement and keep isolation when we implemented it. And also as Roberto mentioned, it's also used in when a child job inheriting from parent job definition. The other is to clone job execution and step execution objects in concurrent partitioned executions, as the spec requires each partition to have its own copy of job execution and step execution. One is as Jan pointed out, to clone a job, which may contain property expressions that resolve to different values in each job executio. In JBeret, it's used to clone certain objects. For instance here:Ĭloning is used to copy the parent element definition to the actual concrete element, and then enhanced with the additional properties. One other reason that I've found to use cloning is to support JSL inheritance. For instance we add a a no args constructor to Job, but a Job always requires an id, so an end user shouldn't be able to call it.īack to the JBoss Marshalling topic, please correct me if my understanding is wrong - AFAIU the main reason for introducing it was that job model classes are mutable. The changes don't seem to break JBeret tests, but my concern is to change the contracts, and developers might expect to use these new API to develop their batch, but most like wont work. So I think that if we don't want to change the current classes, we'd need a whole new set of recordable classes that can be quickly transformed into a Job at runtime. Yes, the JobBuilder has all the other elements that would need to be transformed to their corresponding builder objects. And the job builder itself depends on the same runtime model classes that the resulting Job will reference anyway.Ī possible solution would be to transform the Job into a JobBuilder again. JBeret internally reads job definitions from XML files directly into a Job instance. That's a public API meant for programmatic building of job definitions. ![]() I prepared some changes on JBeret side that fix this: 93b4c0d (this is probably not complete yet, more classes will need this, but just to give an idea) - what do you think about these changes? Would they seem acceptable into JBeret? Other option would be that Quarkus has its own model objects, but that sounds like reinventing the wheel).Īfter I applied those changes, I managed to get a crude prototype working with parsing jobs at build time.Īlso what are the plans for JBeret 1.4.0 at the moment? Should I try and base the work on master instead of 1.3.5, which is the latest Not sure about how exactly you envision using JobBuilder instead. ![]() I used to work with JBeret a lot back in my QE days, so I hope I still remember what it's about :)įirst problem I found was that if we want to parse job definitions in STATIC_INIT and pass them to a recorder, the model objects need to conform to rules to allow this (no-arg constructors present, getters/setters present, getter must not throw an exception.). I'd like to start a discussion to decide whether JBeret is indeed the way to go here, or I am walking into a dead end, before I invest any significant amount of time in this. Hey guys, I recently started experimenting with this a little bit, trying to integrate JBeret 1.3.x into Quarkus. ![]() ![]() ![]() She just needs to have a word with Bey about how to launch an album properly.I'm not a huge fan of alternative music. She’s at the place Beyonce got to on her self-titled album - when you’re a pop icon don’t worry about radio, they’re already listening, worry about your creative legacy. One with songs that grow on you, not ones purposely designed to invade your brain on first impact. After years of speed albums, Rihanna has made an actual artist album. We’ve seen her give zero effs for years, now she’s captured that in the recording studio. ![]() Higher has a `70s soul sample and squeezes a whiskey’d up booty call and stellar vocals into two minutes.Ĭlose to You is a simple piano ballad that sums up Anti - pure Rihanna, unfiltered. Lyrically fans think it’s about her most famous ex (let’s not mention him) with lines like “it beats me black and blue but it f-s me so good” but she has vocally never sounded stronger or more diverse. Love on the Brain is like `50s doo wop with an Amy Winehouse modern twist, and showcases one of the main revelations of Anti - take the heavy pop production and treatments away and Rihanna’s vocals shine. Pity about all those free albums given away, Dids. Never Ending is an acoustic lament with a hook so similar to Dido’s Thank You she gets a writing credit. The tail end of the album (standard version) takes surprisingly sweet turn. Tellingly, the biggest ‘name’ producer here, Timbaland, is relegated only to a short interlude, Yeah I Said It, which curiously also lists Daniel Jones as a co-writer and producer? Is Wikipedia right - is it truly, madly, deeply the quiet one from Savage Garden taking a break from flipping houses in Vegas to get in the studio with Timbaland? Speaking of, Rihanna isn’t shy referencing her Herculean herbal intake throughout here. She sings “Tryna fix your inner issues with a bad bitch? Didn’t they tell you that I was a savage?” Another anti-pop song Woo (with The Weeknd as a co-writer) shows Rihanna’s skill with a piercing breakup lyric (”the scars on your heart are still mine”) while Needed Me is finally as refreshingly uncensored and unguarded as Rihanna’s Instagram posts. Rihanna’s thankfully had a hand in writing every song - Consideration seems to be about wanting to be an artist (”let me cover your shit in glitter, I could make it gold”), the dark Desperado shows she’s been listening to edgy acts like Banks and it has rubbed off via creative osmosis. This isn’t acting.Īrguably the closest single to a single is Kiss It Better which sounds like Prince meets Frank Ocean and features the echoed moods of Jeff Bhasker (Lana Del Rey, Kanye West) to make it even better. You can see now why none of those songs would fit here. It’s clear Rihanna is bored with making ‘pop’ songs - we’ve had Zara Larsson and Rita Ora (the Supre Rihanna, let’s be honest) trying to make Rihanna songs in her absence and Sia recycling the radio bangers Rihanna rejected for Anti on This Is Acting. It’s a proper *album*, not just a collection of songs rush-recorded and strategically designed to get on the radio, with little input from Rihanna beyond adding her personality on the vocals and videos. Otherwise, Anti is unlike any Rihanna album, and not just because the once prolific pop star has taken a four year break. Maybe she needs to make Parker her Wayne Coyne and make a whole trippy album, Miley Cyrus style. It’s just those songs weren’t already on No.1 albums. That’s a flashback to the Rihanna of old - where she’d be given pre-made songs and just copy the demo or guide vocals. ![]() ![]() In January of 1978 Custer National Cemetery closed for reservations. Today, the National Park Service administers just fourteen of the more than 150 cemeteries in the National Cemetery System. Another name change occurred in 1991 "to better honor all the men who perished in the Battle of the Little Bighorn," separately naming Custer National Cemetery. Six years later, Congress approved the redesignation Custer National Cemetery as Custer National Battlefield. To preserve its historic character, President Franklin Delano Roosevelt issued Executive Order 8428 to transfer the custody, care, and management of the cemetery from the War Department to the Department of the Interior effective July 1, 1940. Furthermore, as Owen reported in 1893, this location would leave the battlefield intact "as a matter of sentiment and historical fitness." ![]() After consideration of reburials, environmental conditions (including topography, soil, and elevation), gravestone alignment, and relationship to the monument, access to water was the decisive factor in selecting an appropriate site. Furthermore, this plan would require only 111 reinterments. This would encompass all present interments as well as leave room for a superintendent's lodge. Owen surveyed the area and recommended a 6.91 acre plot. Within a decade, the Quartermaster General surveyed the site to locate an ideal tract for an enclosed cemetery. This established a one square mile area for the "National Cemetery of Custer's Battle-field Reservation. In 1886, President Grover Cleveland reconfirmed Sherman's 1879 order with War Department General Orders of December 7, 1886. Though an attempt was made to rebury all of these individuals, bones discovered since have been buried in the National Cemetery as "Unknowns." Prior to installment of the monument, a trench was dug around the base into which all of the bodies that could be found to that date were placed. Cavalrymen who perished on the battlefield. This designated part of the Custer Battlefield as a national cemetery.īy 1881, a memorial was erected in honor of the Seventh U.S. In order to protect these graves, General William Tecumseh Sherman issued General Order No. General Custer was reinterred at West Point while most of the others were shipped to Fort Leavenworth, Kansas and other private cemeteries back east at the request of their families. John Crittenden was left where he fell at the request of his family until 1932. The first of these details disinterred and collected all identified officers, except Lieutenant John Crittenden. Between 18, troops garrisoned at nearby Fort Custer (modern-day town of Hardin, Montana) regularly gathered remains for reburial, recovered graves, and policed the battlefield for exposed bones. ![]() Like many other national cemeteries, Custer National Cemetery was created after those killed in battle were already buried here. Here in the Custer National Cemetery, for example, Brevet Brigadier General Marcus Reno is buried directly beside Private Dale Hepler, conferring to each soldier an equal honor in death regardless of their military rank or socioeconomic status in life. This is opposite to the rigid caste system that defined day-to-day military operations. In National Cemeteries, all rest as equals. It provided funds to purchase land, outlined common features, and defined appropriate, acceptable behaviors within the cemetery walls. By 1862, fourteen national cemeteries had been established, mostly on Eastern battlefields.Ĭongress passed the first National Cemetery Act in 1867. 75, the Quartermaster General was charged with burial and registry of casualties. The agonizing uncertainty of the families left behind as to whether their loved one was alive or dead led to public demand that the government take responsibility for identification and burial of the dead.Īs early as September 11, 1861, with the issuance of General Orders No. It produced an unprecedented number of corpses that neither side was equipped to handle. ![]() Generally, the family was in charge of all arrangements. Prior to the establishment of national cemeteries, one of two things would happen to soldiers and other military personnel who died during service: they were either buried where they died, such as the battlefield or military post cemeteries of the West or they were taken to private cemeteries. NPS Photo S.Smith History of National Cemeteries ![]() |
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